Released: Nov. 11, 2017
Released: Nov. 11, 2017
Two bands made their Originals Music Series debut on Thursday night in the form of progressive instrumental trio The Cozy and alt-rockers Glue Factory.
Our friends at The Originals Music Series are mixing things up this evening inside of Chicago Restaurant’s Club Gravity, bringing two bands to the stage who are Originals first-timers.
I had the opportunity to see a ton of great performances by incredible talent at Launch Music Conference in Lancaster last weekend. However, the one that I keep coming back to is The Stonewall Vessels’ performance at Binn’s Park during the Fest Friday portion of the weekend.
Thursday marked the 2016 conclusion of The Originals Music Series, and the Fyre & Ice Show-sponsored showcase went out with a (head)bang, featuring Next to None and Another Day Dawns on a night of high-energy, aggressive tunes.
It’s time to give thanks for the wonders that our music scene beholds for all who will listen, any time of year.
You’ll hear all about just how thankful we are when good ol’ Turkey Day arrives. For now, get ready to hear some great tunes after reading this installment of…
Alien Black has invaded with a new, original video for their progressive grind, “Into World,” using archived public domain footage to tell a story.
The official start of fall is less than a week away, and it’s a good time to make a new run. For The Originals Music Series, they did so by inviting Carefree Constant and Julius out for the first show of the season.
Carefree Constant took the stage first. The Whitehall-based foursome have put a progressive spin on the reggae rock genre, which lends a heavier edge to the band’s sounds and provides good contrast and variety from the group’s more laid back tunes.
Next up was Julius, who always brings a fun energy to the Club Gravity stage. The singer-songwriter reliably rocked setlist staples like “Sunlit Day” and “Better Life,” while mixing in new and unreleased tracks.
Want more rock? Starting Thursday, September 29, The Originals Music Series will return to a weekly schedule at Club Gravity inside Chicago Restaurant. Keep tabs on the Series’ Facebook page for details!
It’s hard to nail The Dark Matter Trio down to a particular genre. The improvisation and rhythm of jazz is ever-present on the Harrisburg-based instrumental outfit’s latest release, “The Puzzle with No Pieces,” but there are heavy progressive rock and jam influences also at play.
Perhaps it is this unexpected, yet seamless meshing of styles that makes “The Puzzle with No Pieces” so interesting. You never quite know where the record is going, causing you to keep your ears tuned in and your mind at work. The band often visits several different ideas as movements in a single song. Take the triple-named Brenda Lea/Myrtle Likes to Swing/All Hallows Eve for example, which starts as an acoustic rocker with a bass and guitar double melody before heading into a folk/bluegrass movement.
Another example of the band’s versatility is the nine-minute closing title track. This jazz-inspired tune progresses gradually into a headbanging rock outro to conclude the listening journey.
In the end, The Dark Matter Trio has chosen an appropriate name for “The Puzzle with No Pieces.” Each of these ten tracks takes on a different shape in the form of varying soundscapes. Yet, it is these individual parts that comprise a complete work of art.
7 4 2
Sketchbook of a Melancholy Fisherman
Not About Time
Funny Little Bird
Big Red Truck
Brenda Lea / Myrtle Likes to Swing / All Hallows Eve
Slow Motion Fight Scene
The Puzzle With No Pieces
If you’re in the Philadelphia area, catch D.S. Bradford’s “Elemental Evolution” EP release show this Friday, Aug. 5 at the Dockside Bar at Dave & Buster’s.
Philadelphia singer-songwriter D.S. Bradford describes his new “Elemental Evolution” EP as being “about evolving into a form of ourselves that is conscious of peace and embraces love.”
While that theme is ever present throughout the effort, there is another “evolution” at play – that of D.S. Bradford into a versatile musician who seamlessly intermingles alternative rock with the progressive and psychedelic.
Perhaps the track that best blends all of those styles together is the album closer, “A Call to the Stars II – A Home in the Sky.” The EP’s longest track, clocking in at just over seven minutes, is a dreamy epic that moves between ideas that represent themselves as movements. “A Call to the Stars II” temporarily forfeits its dreaminess about halfway through, picking up the pace with some killer guitar work, before returning to its roots and transitioning into a tender piano outro that brings about the conclusion of our galactic transmission.
For fans of straightforward alt-rock, you need look no further than “Oceans,” a fun, up-tempo tune, and the crisp, highly accessible title track, “Elemental Evolution.” Both songs contain great hooks and are radio-ready.
A Call to the Stars – Ascend the Lost
A Call to the Stars II – A Home in the Sky