The slight chill in the air suggests that fall is upon us, which made Thursday night a great one for our partners at Fig Bethlehem Fall Issue Launch Party.
Labor Day Weekend got off to an incredible start.
Lehigh Valley Underground is thrilled to announce a partnership with SouthSide Arts District to bring music back to First Fridays in South Bethlehem.
Beginning on Friday, September 1, 2017 and continuing on the first Friday of every month, both organizations will team up to present the Lehigh Valley Underground Concert Series at First Fridays. The series will inject arts and culture into First Fridays by hosting live music in a variety of South Bethlehem performance venues, shops, and restaurants, providing performance opportunities to local artists while bringing an increased level of patronage to local businesses.
“Partnering with SouthSide Arts District on its First Fridays initiative is right in line with LVU’s mission to bring our community together,” said Gerard Longo, Founder/Editor-in-Chief of Lehigh Valley Underground. “This monthly series will support our vibrant music scene and our growing local business community, making South Bethlehem a shining example of progress for the Greater Lehigh Valley and beyond.”
September’s First Friday lineup is complete, featuring 12 performers across nine prominent South Bethlehem locations. The September 1 lineup is as follows:
Additionally, Lehigh Valley Underground will now accept performer submissions for future First Friday events on a rolling basis. Performers interested in submitting should email streaming links and a short bio/EPK to email@example.com or fill out this form.
A little bit of rain on Friday couldn’t stop the folks at Touchstone Theatre from putting on their long-awaited Jakopa’s Punch Processional.
After months of preparation (which included a spirited fundraiser along the way), Jakopa’s Punch is venturing outside of Touchstone Theatre’s confines this weekend with a performance that promises something for everyone.
In July, we reported on Start Making Sense’s upcoming show at Zoellner Arts Center. The Talking Heads tribute was to re-create the band’s 1984 film, “Stop Making Sense,” alongside an encore of additional Talking Heads covers.
Last week, while chatting about LVU, I asked Lisa what her plans were for Saturday. She informed me that she already had tickets to Saturday’s tribute.
At that moment, I thought back to July, and I thought, “Hey, wouldn’t it be great to cover that show?”
So, long story short, the folks over at Zoellner were super accommodating, and Lisa went there and was blown away by Start Making Sense’s incredible performance. When I asked about it on Monday, she told me that it just might have been even better than The Talking Heads themselves. This is consistent with what I’ve heard all around about Saturday night’s show — it has received nothing but glowing reviews. Kudos to the band and to the folks at Zoellner, who worked together to produce an incredible show in all respects.
Lisa, as she tends to do, captured the moment well with some great photos. I’m happy to share those with you right here. Enjoy!
On Saturday, Sept. 17, Talking Heads tribute band Start Making Sense will recreate director Jonathan Demme’s critically-acclaimed concert film, Stop Making Sense, on stage at Lehigh University’s Zoellner Arts Center.
Tickets cost $25 for grand tier and balcony seating, $35 for orchestra seating and $40 for pit seating. Tickets are available online now at Zoellner Arts Center’s website.
Stop Making Sense, released April 24, 1984, was filmed during the group’s three-night stand at the Pantages Theater in Hollywood. Utilizing innovative camera techniques, the concert features the influential Rock and Roll Hall of Fame band performing such hits as “Psycho Killer,” “Burning Down the House,” and their New Wave take on Al Green’s “Take Me to the River.”
Start Making Sense singer Jon Braun promises a “once in a lifetime” concert experience for fans.
“We’re very excited to be recreating Stop Making Sense in a live setting,” Braun said.”(The film is) widely regarded as one of the best concert films of all-time. It’s going to be quite a challenge, but we’ve been wanting to do this for a long time.”